The Damned Review — Beautiful & Bleak Horror at Its Finest

For anyone that’s been following along at Screen Love Affair, you know the horror genre is one of my favourites. However, most horror movies these days don’t work for me. Not only do so many of them feel the same, they often lack any real identity, and the worst part is that they lack any real fear. However, it’s not all doom and gloom. 2023 and 2024 both delivered horror movies that ended up in my top 10 favourites list (spoiler for the 2024 list) with Skinamarink and Oddity.  The Damned intrigued me. From the first trailer I saw for it ahead of Nosferatu, I knew I had to see the movie. The movie takes place sometime in the 19th century in a remote Icelandic fishing “village” which is more or less made up of about seven people. Odessa Young plays Eva, a widower and owner of this fishing enterprise. One day a foreign ship sinks offshore near their village and when bodies eventually wash ashore, bizarre things begin to happen to this small community.  So, does The Damned rise to the occasion, or does it sink into the icy depths of generic horror slop? My Thoughts It’s crazy in a genre that is as saturated as horror is, that I’m constantly surprised and impressed with how much uniqueness can still exist. The Damned is beautiful, bleak, horrifying, and exactly what I was hoping to see.  Let’s start first with how the movie looks. The Icelandic backdrop is gorgeous. If you hate winter, I suppose you may disagree, but the coastal village surrounded by snow covered hills and mountains was absolutely breathtaking. At the same time though, it’s cold and you feel that throughout the entire movie. This is where the “bleak” aspect comes in. This world is cruel, harsh, and unforgiving. The village is struggling, with so little food they end up resorting to eating some of their bait. That’s also why, when a boat sinks off their shore, ultimately they decide there’s nothing they can feasibly do, and so they leave the crew of the shipwreck to their fate.  Beyond this, it wasn’t just the world that felt bleak, but this was a rare case where the doom and dread that permeates throughout the movie gives you a feeling of hopelessness for these characters. In a typical slasher, I always expect there to be, at the very least, a final girl that survives the events of the movie. I had no such confidence about the fates of the characters in this village and it’s because of how well the different aspects of this movie come together to create this sense of hopelessness. The landscape, while beautiful, is also cold and isolating. The music, while nothing groundbreaking or new, enhances those feelings of unease as the movie progresses.  This isn’t your average jumpscare horror snoozefest, this is something that genuinely had me shook as I was watching it. All the typical horror tropes are pretty much cast (pun intended) aside for a subtlety that managed to scare me for real. The most effective tool the movie uses is silence. One scene in particular was completely silent, but what I was watching freaked me out so much that I almost wanted that loud pop jump scare to release me from the tension I was feeling. That’s also where the depth of this movie comes into play and how it sets itself apart. This isn’t some sort of slasher/monster movie in the traditional sense. The horrors experienced in this movie are very much a consequence of the mind and the soul. Grief, trauma, sadness, and fear are all significant themes the movie and its characters explore and experience and this is done to great effect.  I don’t want to give away too much here, but there is a benefit to following the movie closely and much of the movie is up for interpretation. I’m writing this review after screening the movie only once, but I’m excited to see it again in theatres to get even more immersed in the movie and see what things I catch on a second viewing.  As far as performances go, everyone is solid in their roles, including Joe Cole who you might recognize from Peaky Blinders) and Game of Thrones alumni Rory McCann and Francis Magee among others, but this is really the Odessa Young show and she was absolutely brilliant. As a woman living in the time that she did, she masterfully moves between the grief of a widower, the strength of a leader, and the passion of someone with more love to give. I first saw Young in My First Film and, as I noted in my review, I thought she was also fantastic then too. At just 26 years old, she has some great experience already and is a talent worth keeping your eyes on! Verdict I mean, what more can I say beyond beautiful, bleak, and horrifying? This is exactly what I want out of horror movies. The Damned filled me with a hopelessness and dread that I haven’t experienced in a horror movie in a while and I’ll be damned (two puns in one review, somebody stop me) if I didn’t really dig it. It also achieved this all while being a very simple movie that didn’t overly rely on effects or cheap tricks to build its tension. This is good old fashioned horror filmmaking on display and I’m very happy to kick off 2025 on such a solid note! The Damned is in theatres now in the UK, Ireland, USA, and Canada. Don’t miss it!

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My First Film Review: Zia Anger’s Bold Autobiographical Journey Blurs Fiction and Reality

My First Film is one of the most unique films I have seen in a while. From what I understand, the movie is at least partially autobiographical, based on events from the life of writer and director Zia Anger. It’s also incredibly meta. The movie stars Odessa Young as Vita, a young director recounting her experience making her first film. But to say that’s all that this movie is about wouldn’t be right.  It’s not just about the struggles of a first-time filmmaker, it also delves into the complexities of relationships, the female experience, and the very essence of what it means to create something.  I’ve watched countless films, but this one stands out as perhaps the most raw and deeply personal. It’s precisely movies like this, though, that make me a big fan of this film’s distributor, Mubi. For those unaware, Mubi isn’t just a distributor, but also a streaming platform and production company. Their library includes some major award-winning films, but what I like most about Mubi is how their content focuses on up-and-coming auteur filmmakers.  In my Alien: Romulus review, I went on for some time about the Disney-fication of cinema that is focused on cheap thrills, designed to manipulate an audience trained to cheer for the past rather than embrace something new. Mubi is the complete opposite, supporting risk-takers that dare to do something new and unique with their films. To be clear, this is not a sponsorship plug either. Mubi is one of the few streamers willing to support daring filmmakers and strive to offer their films in theatres, two things that matter very much to me. They also remain ad-free and one of the more affordable options while the other streamers repeatedly increase their prices and introduce ads.  My First Film will have a limited theatrical run starting on August 30th and will be available worldwide on Mubi on September 6th. If you’re not already a Mubi subscriber, you can sign up now and get your first seven days free. Billy Feldman co-wrote the film with Anger and the rest of the cast includes Devon Ross, Cole Doman, Jane Wickline, Philip Ettinger, Eamon Farren, Eleanore Hendricks, Sage Ftacek, Jackson Anthony, Seth Steinberg, Hailey Gates, Sarah Michelson, Abram Kurtz, and Ruby Max Fury.  So, was My First Film a promising new beginning for Zia Anger? My Thoughts When the credits rolled on My First Film, I found myself staring into space, trying to process what I’d just experienced. In a word, this film is authentic. Its rawness and Anger’s fearless approach create a deeply poignant experience. Certain moments, especially between Vita and her boyfriend, were so visceral that I felt a physical reaction. There was one scene in particular where I wanted to step into the film just so I could call out this character for how they were acting. I particularly loved Odessa Young as Vita. The whole thing really rests on her shoulders and she was absolutely brilliant. I always felt myself rooting for her character, even as she did things that upset and alienated people. Even if I disagreed with her choices, I understood them and this really comes down to a solid script and a strong performance from Young.  Beyond the writing and performances, the music and cinematography also stood out. The score amplified the film’s emotional depth, while creative lighting added a dreamlike quality to certain scenes.  But the heart of this movie lies in its themes. I mentioned earlier just how personal this movie felt, and I think this created some powerful moments. However, I also struggled to find my way into what I thought were the more prominent aspects of the movie. To be clear, this is not a criticism but more of an observation. Much of this movie is about creation, but that manifests in two large ways in the film: through the creation of a movie and the creation of life itself through pregnancy. Now, neither of these aspects are very applicable to me, but nevertheless I was still able to understand things, even if I didn’t feel them as strongly as some others might.  One particular aspect that stuck out to me, though, was the isolation that Vita experiences. She struggles during the production of her movie with this feeling that nobody is as committed to it as she is and the impacts of that are significant. This is further complicated outside of the production of her movie as Vita deals with some deeply traumatic personal experiences and unfortunately goes through them all alone. You feel the impact of these moments on the character, and I really appreciated that the narrative allowed the character to comment on these moments with the benefit of hindsight.  The movie also utilizes its meta aspects to great effect when communicating its themes. Characters discuss the meaning and intent behind their scenes in the movie they’re making, but it never feels forced, it’s integral to the narrative. They also got creative in the edit, sprinkling in real footage that Anger shot of herself into the movie at various points. Some aspects almost feel documentary-like. These moments feel very clear and visually distinct, but they aren’t distracting and they blend in seamlessly into the fictional part of the movie.  Without giving too much away, the film’s final act is where it gets the most meta and takes the biggest risks. Anger takes a big swing here and I found myself uncomfortably laughing at how perplexing this scene was. During this scene, though, a character says a line that snapped me out of what I was seeing and sent me deep into thought. Verdict Some movies can be fully experienced and understood by just reading a plot summary. My First Film is the exact opposite. This is a film that demands to be experienced firsthand, with layers that can’t be captured in words alone. Undoubtedly, this is one of the most unique and personal films I’ve ever seen. Zia Anger blurs

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