Grand Theft Hamlet Review – To Play or Not to Play?

I admit, when I heard of Grand Theft Hamlet, I thought it was a joke. It was described as “an immersive take on William Shakespeare’s Hamlet shot entirely in GTA 5.” For those who may not be gamers, Grand Theft Auto 5 is one of the biggest and most profitable games of all time. A bulk of this money came from the online side of the game, aptly titled GTA Online, and this film is recorded entirely in that virtual world. If you’ve ever tried it before, you would know GTA Online is a chaotic and often ruthless place to be, which makes it all the more impressive to see what was done here.  Grand Theft Hamlet was directed by Sam Crane and Pinny Grylls and chronicles the experience of Sam and his friend Mark Oosterveen as they attempt to cast and produce a live, virtual production of William Shakespeare’s play Hamlet in GTA Online during the throes of the COVID-19 pandemic and lockdowns.  The last thing I’ll say to preface this review is that it’s more of a documentary than a showcase of the actual production. The initial tagline I mentioned meant I was more ready to watch their version of Hamlet, which you get glimpses of, but we don’t see the whole thing.  So, was Grand Theft Hamlet a noble effort or was it madness, method or not? My Thoughts I watched this movie a few weeks before I sat down to write this review. I wanted to stew on this a bit more because I was admittedly conflicted after my initial watch and part of that was about my own expectations. I really don’t like when people criticize something for it “not being what they expected” because it’s not the movie’s job to be what you expect. This is a big reason I do my absolute best to avoid trailers and marketing materials before a movie is released because I don’t want to create a picture in my mind before I get to see it. In this case, I was expecting to actually watch the production of Hamlet they performed, but this was not that. But, with that said, after giving myself a bit more time to digest it all, I’m pleased with what was delivered instead.  What we got instead of that performance was a documentary about how they made their version of Hamlet, the cast of characters they met along the way to make it happen, and all the ups and downs that came with that. That’s what Grand Theft Hamlet is on a surface level, but more than that, I consider this up there with Bo Burnham’s Inside as one of the most poignant things to accurately capture the feelings of the pandemic era.  What really stands out to me all these weeks later were those human moments of struggling with the despair and isolation that came with the pandemic and how they managed to create a small community of people that shared the same goal and ambitions to get this done. But of course life didn’t wait for all of this to happen and I was surprised by how emotionally impactful one moment in particular was when the real world forced the team to regroup about the whole project after losing a key cast member. The impact this had, particularly on Mark, was significant, because unlike Sam and Pinny, Mark was living alone and this project was the only way he was really able to experience any human connection during lockdowns.  Another positive highlight was the GTA of it all. Constant random encounters with other players, many of which ended in death, the quirky costumes, and even the emotive acting from the cast using different gestures and such at key times was fantastic. I genuinely laughed a few times at these moments and they added an undeniable charm to the whole thing.  The only thing that holds me back from an outright glowing review is that I didn’t feel the same fulfillment that I would’ve hoped. All of this work and build-up leads to the big performance, which we see in bits and pieces in almost a montage type fashion, but I never felt as fulfilled as I wanted to after such a fantastic build-up. This lack of deeper emotion towards the end of the movie left me feeling a bit mixed overall as the credits hit. However, as time has passed, I feel that the journey was ultimately more important than the destination, and the journey in Grand Theft Hamlet was absolutely something special.  Verdict I never expected to feel this deeply about Grand Theft Hamlet, but here we are. What started as a concept that made me laugh at first glance turned into one of the most unexpectedly poignant films I have seen lately. Not only does it brilliantly capture the surreal isolation of the pandemic era but it also pushes the boundaries of what filmmaking can be, proving that even in the most unlikely places, like the chaotic world of GTA Online, art and human connection can thrive. It is worth watching for the sheer uniqueness alone, but I suspect its true impact will only grow with time. As we look back on the stories that truly encapsulate the pandemic’s emotional toll, Grand Theft Hamlet stands as an inventive, heartfelt and deeply human testament to making art against all odds. You can watch Grand Theft Hamlet right now on Mubi!

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Review Roundup: Anora, Terrifier 3, and 5 More Films Worth Watching

Welcome to the first of three Review Roundups! We have 21 new reviews coming at you over the next week and we will kick things off with our first 7 in this review. Between work, covering the Austin Film Festival, and life in general, we’ve been pretty busy but we still wanted to get our reviews out for movies that you might have missed. So, without further ado, let’s jump into these rapid fire reviews. Anora A must see for sure. Sean Baker is a special filmmaker. He previously made The Florida Project and that movie has stuck in my mind since I first saw it in Ottawa years ago. Anora follows Ani, an exotic dancer portrayed by Mikey Madison, as she embarks on a whirlwind romance with Vanya, the son of a powerful Russian oligarch. For anyone unaware of Baker’s previous movies, they have this raw authenticity that you don’t see very often. One thing Baker does is populate his movie with real people from the locations they shoot in. Even if you didn’t know that while you’re watching, you can still feel that authenticity in the world and that emanates throughout his work.  Anora is surprisingly funny but manages to remain pretty grounded and raw. Mikey Madson certainly will be a frontrunner for that Lead Actress Oscar too. I had a blast watching this movie, both at an early screening for it at the Festival du nouveau cinéma de Montréal and again at the Alamo Drafthouse in Austin, Texas.  I initially felt torn on the ending, but the more I’ve thought about it, the more it really suits the movie and remains true to its core.  Expect to see this one in my best of the year list and definitely give it a chance when it’s showing near you! Saturday Night I won’t lie, I didn’t think I would like this movie. The trailer didn’t work for me and I was worried this woulda been pretentious as all hell. But dammit, I liked this one! This movie takes place over the span of about 2 hours before SNL hits the airwaves for the first time. While SNL is a recognizable institution now, it wasn’t always. In fact, it would’ve been very easy for the show to fail, and the chaos of that is on full display in this movie.  The fast pace made this one feel like a breeze and there was a steady stream of jokes, heart, and bits to keep me engaged. I’m a bit of a TV historian too, so I was very aware of the story of SNL, the original cast, and the politics at NBC, so I thoroughly enjoyed all of those nods and bits. I do wonder if you’re not as invested in these people going in though if your enjoyment simply wouldn’t be the same. The thing that stuck with me most though was the performance from Cooper Hoffman. Cooper is the son of the late Philip Seymour Hoffman, one of my all time favourite actors, and I’ve been eagerly following Cooper’s career to see if some of that magic has passed on. I think it definitely has, and one scene in particular stood out to me so much that it made me giddy. I genuinely can’t wait to see everything Cooper Hoffman will do in the future. Woman of the Hour Woman of the hour is directed by and stars Anna Kendrick in her feature film directorial debut! It follows the experience of Sheryl Bradshaw and the real life Dating Game Killer. Without giving too many details of what actually happens, Bradshaw was on the Dating Game TV show when Rodney Alcala was a contestant, who actually ended up “winning” a date with Bradshaw. Alcala though was in the middle of a spree of killings at the time for which he obviously hadn’t been caught yet.  Overall, I enjoyed this one enough and it was a solid directorial debut for Kendrick. If you’re a true crime person, this will definitely be up your alley. I did have a couple issues, namely Kendrick’s character’s involvement. It’s not that the performance was bad or anything, but the whole dating game angle just doesn’t weave very naturally into the story. Such a prominent focus on Kendrick’s character just feels out of place given how little she had to do with anything that actually happens in the case. The fact this serial killer ended up on the dating game is certainly weird, but aside from an intriguing premise, they just don’t manage to weave that angle into the movie very well.  This was pretty close to a half heart rating, but I do like the true crime genre and definitely enjoyed this one enough to justify a positive rating. The Apprentice A movie without an audience no doubt. If you love Trump, you don’t care to see the Hollywood take on the more formative years of the former (and now future) President of the United States. If you hate Trump, you’re probably not all that interested in learning more about what made him the man he is today. And finally if you’re indifferent to Trump, you’re probably sick of hearing about him over the last decade. With that said, there’s some solid stuff in this movie. I was impressed with what I felt was a bit more balanced of a take on Donald Trump. I certainly wouldn’t say it was even, but it didn’t play as fast and loose with the truth as you might expect it to, at least as it relates specifically to Trump himself. I really like the performances here from Sebastian Stan as Trump, who I would say emulates Trump more than he does an impression of him, and Jeremy Strong as Roy Cohn, Trump’s friend, lawyer, and mentor. The movie does some fun things visually to match the vibe of the different decades it spans too which I liked. The only issue I really had was that I

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Bird Review: A Heart-Wrenching Tale of Family, Struggle, and Growing Pains

Adriana and I had the pleasure of attending the Austin Film Festival this year! We were joined by some friends for a few days of movies, panels, hot weather, and good times. We’re going to kick off our coverage of the Austin Film Festival with Bird, another film distributed by Mubi that we got the chance to review ahead of its release. If you missed our review of My First Film, the last Mubi film we reviewed, be sure to check it out! If you read that review, you know I’m a big fan of Mubi and their focus on quality cinema that feels so different from mainstream offerings. Bird definitely fits into that category, too, with some unique visuals and some narrative swings that really stood out to me. The film stars Nykiya Adams as Bailey and Barry Keoghan as their father, Bug. Together, they live on the top floor of a very downtrodden apartment building with Hunter (Jason Buda), Bug’s son and Bailey’s brother. Franz Rogowski also stars as the titular Bird. Does Bird soar with heartfelt emotion, or does it struggle to get off the ground? My Thoughts Overall, Bird has a lot of merits and manages to weave together a heart wrenching story with its complicated characters. Growing up is hard for everyone, but it can be even harder for some than for others. These are people facing many hardships, some circumstantial, others perhaps self-imposed, but you can’t help but feel for the characters and what their daily struggle is like. What stuck out to me most was that the movie makes a point of ensuring the characters are complex enough to avoid lazy clichés. Characters make choices that you don’t like and say and do things you wouldn’t, but I never found myself lacking empathy for anyone (aside from one particular minor character). Barry Keoghan is unsurprisingly a standout here, with his portrayal of Bug as someone who constantly seems happy in spite of his situation. Aside from a few brief moments, Bug is consistently shown to be happier than his kids. He also is definitely unaware of what daily life for his kids is like, but it’s still apparent that he cares and is there for them when they really need him to be. Of course, we also have to talk about Bailey and Bird. This pairing really drives the story forward and both of them are fantastic characters that you can’t help but love. I won’t go into too much detail about them so as to not spoil things, but these two find each other when they need each other most. It’s through their collective experience that they both find some clarity and perhaps a bit more peace in their lives. I specifically want to mention how incredible Nykiya Adams is as Bailey. This is one hell of a way to make your feature film debut and I would expect a lot of good things ahead for Adams! Also, I want to talk about the visual style of this movie, because I absolutely loved it. There were some really great shots, including ones that used a projection on a wall, that I was absolutely transfixed by. Given the generic visual style of so much of the “content” released these days (and I use the word, “content,” very intentionally in this case), when you get to see a movie with some visual style, you’re reminded just how important it is to elevate a movie.  Finally, a quick note on the score and soundtrack because they were both very solid. From “Yellow” by Coldplay to “Cotten Eyed Joe” by Rednex, they use some solid songs to awesome effect and the ambient score sets the tone and gives this a vibe that I really dug. The only thing that I struggled with were some elements towards the end that sort of shook me out of the movie a bit. These choices don’t derail the movie for me, though, and there are still some incredibly strong moments that really landed for me.  Verdict I definitely liked this movie! Especially as we reach the end, there were a few different emotional beats that really hit me. This movie deals with some serious subject matter but does so with care and empathy and ultimately delivers a solid coming of age movie that takes enough risks to feel different from all the rest. Bird is currently out in theatres and will be availible to stream on Mubi soon!

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My First Film Review: Zia Anger’s Bold Autobiographical Journey Blurs Fiction and Reality

My First Film is one of the most unique films I have seen in a while. From what I understand, the movie is at least partially autobiographical, based on events from the life of writer and director Zia Anger. It’s also incredibly meta. The movie stars Odessa Young as Vita, a young director recounting her experience making her first film. But to say that’s all that this movie is about wouldn’t be right.  It’s not just about the struggles of a first-time filmmaker, it also delves into the complexities of relationships, the female experience, and the very essence of what it means to create something.  I’ve watched countless films, but this one stands out as perhaps the most raw and deeply personal. It’s precisely movies like this, though, that make me a big fan of this film’s distributor, Mubi. For those unaware, Mubi isn’t just a distributor, but also a streaming platform and production company. Their library includes some major award-winning films, but what I like most about Mubi is how their content focuses on up-and-coming auteur filmmakers.  In my Alien: Romulus review, I went on for some time about the Disney-fication of cinema that is focused on cheap thrills, designed to manipulate an audience trained to cheer for the past rather than embrace something new. Mubi is the complete opposite, supporting risk-takers that dare to do something new and unique with their films. To be clear, this is not a sponsorship plug either. Mubi is one of the few streamers willing to support daring filmmakers and strive to offer their films in theatres, two things that matter very much to me. They also remain ad-free and one of the more affordable options while the other streamers repeatedly increase their prices and introduce ads.  My First Film will have a limited theatrical run starting on August 30th and will be available worldwide on Mubi on September 6th. If you’re not already a Mubi subscriber, you can sign up now and get your first seven days free. Billy Feldman co-wrote the film with Anger and the rest of the cast includes Devon Ross, Cole Doman, Jane Wickline, Philip Ettinger, Eamon Farren, Eleanore Hendricks, Sage Ftacek, Jackson Anthony, Seth Steinberg, Hailey Gates, Sarah Michelson, Abram Kurtz, and Ruby Max Fury.  So, was My First Film a promising new beginning for Zia Anger? My Thoughts When the credits rolled on My First Film, I found myself staring into space, trying to process what I’d just experienced. In a word, this film is authentic. Its rawness and Anger’s fearless approach create a deeply poignant experience. Certain moments, especially between Vita and her boyfriend, were so visceral that I felt a physical reaction. There was one scene in particular where I wanted to step into the film just so I could call out this character for how they were acting. I particularly loved Odessa Young as Vita. The whole thing really rests on her shoulders and she was absolutely brilliant. I always felt myself rooting for her character, even as she did things that upset and alienated people. Even if I disagreed with her choices, I understood them and this really comes down to a solid script and a strong performance from Young.  Beyond the writing and performances, the music and cinematography also stood out. The score amplified the film’s emotional depth, while creative lighting added a dreamlike quality to certain scenes.  But the heart of this movie lies in its themes. I mentioned earlier just how personal this movie felt, and I think this created some powerful moments. However, I also struggled to find my way into what I thought were the more prominent aspects of the movie. To be clear, this is not a criticism but more of an observation. Much of this movie is about creation, but that manifests in two large ways in the film: through the creation of a movie and the creation of life itself through pregnancy. Now, neither of these aspects are very applicable to me, but nevertheless I was still able to understand things, even if I didn’t feel them as strongly as some others might.  One particular aspect that stuck out to me, though, was the isolation that Vita experiences. She struggles during the production of her movie with this feeling that nobody is as committed to it as she is and the impacts of that are significant. This is further complicated outside of the production of her movie as Vita deals with some deeply traumatic personal experiences and unfortunately goes through them all alone. You feel the impact of these moments on the character, and I really appreciated that the narrative allowed the character to comment on these moments with the benefit of hindsight.  The movie also utilizes its meta aspects to great effect when communicating its themes. Characters discuss the meaning and intent behind their scenes in the movie they’re making, but it never feels forced, it’s integral to the narrative. They also got creative in the edit, sprinkling in real footage that Anger shot of herself into the movie at various points. Some aspects almost feel documentary-like. These moments feel very clear and visually distinct, but they aren’t distracting and they blend in seamlessly into the fictional part of the movie.  Without giving too much away, the film’s final act is where it gets the most meta and takes the biggest risks. Anger takes a big swing here and I found myself uncomfortably laughing at how perplexing this scene was. During this scene, though, a character says a line that snapped me out of what I was seeing and sent me deep into thought. Verdict Some movies can be fully experienced and understood by just reading a plot summary. My First Film is the exact opposite. This is a film that demands to be experienced firsthand, with layers that can’t be captured in words alone. Undoubtedly, this is one of the most unique and personal films I’ve ever seen. Zia Anger blurs

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