’28 Years Later’ Review – Somehow Still Alive… and Better Than Ever

28 Days Later hit theatres in 2002 and has loomed large in the lexicon of horror fans everywhere. Even before I saw the full film, I knew the haunting image of Jim (played by now-Oscar winner Cillian Murphy) wandering the empty streets of London. To this day it remains one of the most striking and impactful sequences I’ve ever seen. Directed by Danny Boyle (Trainspotting, Slumdog Millionaire, 127 Hours, Steve Jobs), the film also marked the debut of screenwriter Alex Garland (Ex Machina, Annihilation, Civil War, Warfare). 28 Years Later marks the return to the franchise for both Boyle and Garland and is the first of a planned trilogy of new movies. This movie picks up, as the title suggests, 28 years after the initial outbreak of the “Rage” virus in the UK. Title cards at the beginning tell us that the virus has been eradicated from continental Europe, but the British Isles remain in indefinite quarantine. Alfie Williams plays Spike, a 12 year old living on a small tidal island with access to the mainland only possible during low tide.  So was this franchise worth revisiting 23 years later or is it just another case of the legacy sequel virus? My Thoughts I have to say, this movie might be the biggest surprise of the year for me. I had a list of movies I wanted to see these last few weeks and going into them all, this is the movie I expected the least from. I knew very little details, but I did see the teaser trailer a few times. Nevertheless, I found myself rolling my eyes a bit at yet another legacy sequel. 28 Days Later is still an all time classic for me, but the sequel 28 Weeks Later, was decidedly inferior than the original movie and was criminally generic, especially when contrasted with the lo-fi visual style of the original. However, both Garland and Boyle were not involved in that sequel so that was at least an intriguing notion.  But as an ardent film lover, despite my reservations, I capped off my week of movies with 28 Years Later and an open mind. And as the credits hit, it was clear to me that 28 Years Later is undoubtedly one of my favourite movies of the year so far.  Why? Well first I have to start with the visual style. In today’s world of film, with flat grays, awkward lighting, and just a general boring visual style, it can be easy for a movie to stand out as long as it does even one small thing differently. 28 Years Later really remains true to its roots and is one of the most distinct and visually impressive movies I have seen in a while. I don’t want to give any of the specifics away, but even this behind the scenes shot of an infected shows you the kind of toys they were playing with.  Trust me, Boyle is absolutely firing on all cylinders here.  He’s not alone either because Alex Garland delivered (in my opinion, anyway) his best script since 2014’s Ex Machina. When I tell you that 28 Years Later is one of the most emotional and moving films I have seen all year, I promise you that I’m not lying. Garland’s script is so great at every level. On the surface, there is an amazing coming-of-age story and also a meditation on life, death, and love. That alone is worth the price of admission, but if you care to scratch a little bit deeper, there is more depth here than even I realized on my initial watch. This movie has sparked plenty of discussions about isolationism, Brexit, cultures stuck looking backwards instead of forwards, and so much more. None of these themes are essential to understand or to appreciate the film, but I think that’s what I find so brilliant about the script. The layers here are truly impressive and it’s able to deliver something for everyone that may wander into the theatre to see this movie.  Of course, for a movie to be this good, it needs a rock solid cast and 28 Years Later has that, too. We definitely need to start with Alfie Williams. What an incredibly impressive feature film debut, especially for someone who was 13 years old at the time of filming. I only bring up his age because of how much more impressive it is. In some movies, I will often caveat performances from young actors by saying it was a great “child performance,” but I am making no such caveats here. This whole movie hinges on Alfie’s lead performance and it’s one of the best of the year so far. He’s not alone, though, in this movie. Even the supporting characters absolutely shine. Aaron Taylor-Johnson and Jodie Comer play his parents and both of them are incredible at every point. The biggest powerhouse performance though for me comes from Ralph Fiennes, who isn’t in much of the movie, but is critical for the story and evolution of these characters. Fiennes is incredible at balancing the duality of his character, and without Fiennes, the story just wouldn’t come together nearly as strongly.  As a whole package, I was kind of floored by this movie. It starts off gritty and raw and I was thoroughly enjoying the experience which includes some very cool and gnarly gore and kills, too. As it progressed though, the emotional story sort of snuck up on me and absolutely cut me to the core.  There has been much discussion about the ending, which I won’t talk about at all here (stay tuned for a spoiler-filled episode of The Screen Love Affair Podcast to hear about that), but as long as you keep an open mind, I think you’ll love the ending as much as I did.  Verdict I didn’t expect to love 28 Years Later, in fact, I was ready to write it off like so many other legacy sequels. But I couldn’t

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Spoiler Free Movie Review Roundup: MaXXXine, Hit Man, The Bikeriders, & More

Adriana and I have been watching more movies than we can write full reviews for, so it’s time for our second ever Review Roundup! These will be shorter than our typical reviews, but will still give you enough information to gauge whether these movies are worth checking out or not.  Also, stay tuned for individual reviews for I Saw the TV Glow and Furiosa from Adriana and Thelma and Longlegs from me!  Anyways, these movies will appear in order from least enjoyable to the most enjoyable for me. Let’s dive in! The Fall Guy So flat out, I really disliked this movie. It had a good cast and a solid budget but I was less than enthusiastic about the rest of the team. Helming this movie was David Leitch. The best thing Leitch has done as a director was when he co-directed the first John Wick movie with Chad Stahelski. Since they parted ways, Stahelski has continued to make John Wick movies that, at least in my opinion, have consistently gotten better with each entry. Leitch on the other hand has made, what I consider, to be perfectly forgettable slop that you may enjoy enough when you watch it, but you’ll never think of again. The writer didn’t do much to excite me either, as his credits include movies like Hobbs & Shaw and Iron Man 3.  This is a movie about a stuntman and is supposed to be a love letter to stunt performers. I will take a quick second here to note that the Academy Awards still do not have a category for stunt performers and this is an egregious omission considering the history and importance of stunt work to cinema. However, what Leitch clearly lacks as a director when compared to Stahelski is the ability to really make stunts in his movies shine. I know from clips that there was significant stunt work required for this movie, but they can’t help but make it look and feel as bland and fake as possible.  The real tragedy of this movie though for me is the wasted potential. When it comes to top-tier action cinema these days, it’s coming from the team behind the Mission: Impossible and John Wick films like Tom Cruise, Keanu Reeves, Christopher McQuarrie, and Chad Stahelski. I would much rather have seen people like them given this budget and cast to make a movie that’s supposed to be a love letter to stunt performers. At least in their hands it would have been pleasant to look at and fun to watch, none of which this movie was.  Verdict I will acknowledge that I might be a bit of a “hater” on this and general audiences that did turn out for this seemed to enjoy it more. I really did want to like this one, but there just was nothing noteworthy or special here for me. When Ryan Gosling isn’t even able to make your movie good, that’s a big problem. You may have more fun with this movie than I did, but you won’t remember it after you watch it and there are plenty of better movies out there if you’re looking to kill a couple hours. Arcadian This was another one Ty and I watched together because it featured one of our all time favourite actors, Nicolas Cage. Unfortunately, this one falls into the more forgettable of the bunch. There really isn’t much here to enjoy beyond the creature designs, which are admittedly pretty cool. The child actors are fine too, but I just never got really invested in anything that was happening.  The biggest issue for me though is that typically in movies like this, Cage is able to elevate the experience so you can at least have a fun time. Without spoiling anything, Cage is not given much time throughout the movie to do a whole lot. His role could have been played by anyone and the experience would be the same and that should never be true about a role played by Nicolas Cage. Verdict You can definitely skip this one. The reason it doesn’t get a worse score is because this is a really small movie that has at least some redeeming factors, including the creature designs and the serviceable performances. I wanted to like this one more, there just wasn’t enough of anything there for me to really sink my teeth into. The Ministry of Ungentlemanly Warfare Have you ever wondered what Inglorious Basterds would be like if it was worse in every conceivable way? Well wonder no more, because this is the movie for you! Does this mean the movie is bad though? Not exactly.  Now sure, it’s really unfair to compare this to Quentin Tarantino’s Inglourious Basterds, but if you do watch this you will be blown away by just how similar they are narratively. It even has one of the actors from Basterds as the main bad guy in the film! However, if you can let that go, this is a perfectly fine movie. There is a big ensemble cast here including the likes of Henry Cavill and Alan Ritchson who were the standouts here for sure.  The movie never really aspires to be more than it is and that’s definitely to its benefit. Nothing really stands out as particularly memorable or exceptional, but there are some fun action scenes and good chemistry from the main cast.  Verdict It’s definitely not my favourite Guy Ritchie movie, in fact it’s not even close, but if you just need to throw something on that is fun and you don’t mind it being forgettable, you can do a lot worse than watching Cavill and Ritchson slaughtering some Nazis! Horizon: An American Saga – Chapter 1 Oh boy, where do I start with this one? I guess it makes sense to properly set your expectations. This is perhaps the most “part one” movie ever. To provide a score here is difficult because this is not a complete movie in

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